| Matthew Tickle | ||
| Picture | Born London 1964 | |
| Works | Education | |
| Publications | 1987 1989 |
West Surrey College of Art and Design, BA (Hons) Sculpture Slade School of Fine Art, London, Postgraduate Higher Diploma in Sculpture |
| Essays | ||
| CV | Solo Exhibitions/Publications | |
| Contact | 2006 2004 2001 1999 1995 |
Punctum and Nebula, Hull Art Lab, Hull Nothing will come of nothing, Wolsey Art Gallery, Ipswich Semi-Rhythm, Whitechapel Project Space, London What the eye can’t see the heart can’t grieve for, a temporary public artwork at Queen Mary, University of London Idyll, a book-work by Matthew Tickle with accompanying essay ‘Installation and Photography: Matthew Tickle’s Idyll’ by Michael Newman, published by Matt’s Gallery, London Idyll, Matt’s Gallery, London, Scrutiny, Matt’s Gallery, London |
| Group Exhibitions | ||
| 2007 2005 2003 2002 2001 2000 1998/9 1998 1997 1996/7 1996 1995 1994 1993 1992 1991 1990 |
It starts from here Fiona Crisp, Matthew Tickle, Phillip Warnell, Matt's Gallery, London Revision, Pitfield Gallery, London Don’t start from the good old things but the bad new ones,em> Whitechapel Project Space, London The Green Room, Percy Miller Gallery, London Dead-wall Reverie, Five Years, London, curated by Valerie Sutton Tourist, site-specific project commissioned by Space Explorations, London [catalogue] Furniture, Richard Salmon Gallery, London; John Hansard, Southampton and Bluecoat Art Centre, Liverpool [catalogue] Backspace, Matt’s Gallery, London In Residence, In Transit, The Stanley Picker Gallery for the Arts, Kingston University Plastic, Richard Salmon Gallery, London; Arnolfini, Bristol; Walsall Museum & Art Gallery, Walsall [catalogue] High Rise, Space Explorations at 110 Euston Road, London [catalogue] Animale Domestici, Hollandstraat 20, Antwerp Tight, The Tannery, London 1 million cubic feet, Space Explorations, Holborn Old Town Hall, London Mehr Licht (with Marcus Eisenmann), Goethe Institute, London Hull Town Dock Museum as part of the Hull Sculpture Symposium Public installation at the Electric Light Station, presented by Space Explorations Work commissioned by the Whitechapel Art Gallery, London as part of ‘Whitechapel Artists’ Awards 1990’ Public installation at the Old Royal Observatory, London, presented by Space Explorations Public installation at the British Rail Arch, Beck Road, London, presented by Space Explorations |
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| Scolarships, Awards and Residencies | ||
| 2006 2004 2002 2001 2000 1995 1994 1991 1989/90 1989 |
Arts Council England, Grants for the Arts - Individuals Cocheme Fellowship, Byam Shaw ESPRC Engineering and Physical Sciences Research Grant Calouste Gulbenkien Foundation Research Grant LAB Visual Arts Fund: Artists Arts Foundation Fellowship Rachel Whiteread/K Foundation Award Whitechapel Artists’ Award The Picker Fellowship in Sculpture at Kingston Polytechnic Boise Travel Scholarship |
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| Selected Bibliography | ||
| Fiona Crisp, Matthew Tickle, Phillip Warnell, Helen Sumpter, Time Out, issue 1831, 21-28 December 2005 Fiona Crisp/Matthew Tickle/Phillip Warnell, Sarah James, Art Monthly, issue 290, October 2005 Lighting up the background, Colin Martin, nature magazine, issue 437, 6 October 2005 Matthew Tickle, Sally O’Reilly, Art Monthly, Issue 274, March 2004 Just sugaring the pill?, Miria Swain, Mute, issue 27, Winter/ Spring 2004 Matthew Tickle/ Matt’s Gallery, Catherine O’Shea, What’s On, 3 November 2000 Matthew Tickle at Matt’s Gallery, James Hall, Artforum, January 2000 Matthew Tickle at Matt’s, Janet Koplos, Art in America, February 2000 Matthew Tickle: Idyll, London Zok, Issue No. 17, November 1999 Matthew Tickle, Evening Standard, 5 November 1999 Matthew Tickle, Laura Moffat, Art Monthly, No 231, November 1999 London Art Notices, Sacha Craddock, londonart.co.uk.magazine, November 1999 Matthew Tickle, Martin Herbert, Time Out, No.1523, 27 October 1999 Idyll, The Independent,3 October 1999 Idyll, The Guardian Space, 16 September 1999 Choice of the Week, The Guide, 11 September 1999 Art of the Luminous, Roy Exley, CVA, Issue 25, 2000 High-Rise, David Barrett, Art Monthly, No.226, May 1999 High-Rise, Mark Currah, Time Out, 15 May 1999 Furniture I and II, Lisa Panting, Contemporary Visual Arts,Issue 23 Furniture, Deborah Schultz, Art Monthly, No. 225, April 1999 Plastic, Jonathan Jones, Untitled, No. 12, Winter 1996/97 ARTS, The Times, 10 September 1996 Visual Arts, Adrian Searle, The Guardian, 27 August 1996 Plastic, Sarah Kent,Time Out, Volume 1358, 28 August |
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| Publications | ||
| 2005 2001 2000 1999 1996 |
What The Eye Can’t See The Heart Can’t Grieve For, a DVD documenting the temporary public artwork, with accompanying booklet of essays by Dr Fay Dowker and Sally O’Reily, published by Matt’s Gallery, London Idyll, a book-work by Matthew Tickle, ISBN 0 907623 35 2, with accompanying essay: ‘Installation and Photography: Matthew Tickle’s Idyll’ by Michael Newman, published by Matt’s Gallery, London, ISBN 0 907623 36 0 Tourist, text by Steven Spier, published by Space Explorations, ISBN 0 9531 68913 Furniture, texts by Martin Herbert, Joan Key, and Paul Heber-Percy, published by Richard Salmon Gallery, London, ISBN 1 873550 11 1 Space Explorations, texts by Penelope Curtis, Mel Gooding, Mark Currah and David Barrett, published by Space Explorations, London, ISBN 0 9531689 0 5 Plastic, text by Neil Cummings, with foreword by Joan Key & Paul Heber-Percy, published by Richard Salmon Gallery, London, ISBN 1 873550 01 |
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| Matthew Tickle is represented by Matt's Gallery, London | ||